(VA) Metallica: Old Garage Inc.

Ten years ago, Metallica released Garage Inc., a compilation album of covers they had recorded since their inception until 1998. It includes all their b-side covers, and the entire $5.98 EP: Garage Days Re-Revisted
which has been out of print since its original release in 1987.
Then some joker on Soulseek thought it would be a good idea to put together Old Garage Inc., featuring all the original artists of the songs Hetfield, Hammett, Newsted, Ulrich and Burton covered.
(S)he didn't design an album cover: just a listing of the tracks. Click on the album "art", to download.

(VA) Old Garage Inc.:

1	Diamond Head	Helpless	6:48
2	Holocaust	The Small Hours	7:08
3	Killing Joke	The Wait	3:45
4	Budgie	Crash Course In Brain Surgery	2:39
5	Misfits	Die, Die My Darling	3:09
6	Misfits	Green Hell	1:53
7	Diamond Head	Am I Evil	7:45
8	Blitzkrieg	Blitzkrieg	3:49
9	Budgie	Breadfan	6:07
10	Diamond Head	The Prince	6:14
11	Queen	Stone Cold Crazy	2:16
12	Anti-Nowhere League	So What	3:10
13	Sweet Savage	Killing Time	2:39
14	Motörhead	Overkill	5:12
15	Motörhead	Damage Case	3:02
16	Motörhead	Stone Dead Forever	4:35
17	Motörhead	Too Late, Too Late	3:27
18	Bob Seger	Turn The Page	5:03
19	Thin Lizzy	Whiskey In The Jar	5:45

This is the cover of the original album. But you can't download anything:

(VA) Can't Stop It! Australian Post-Punk 1978-1982

(Description Courtesy of Records Ad Nauseum because I'm just too damn lazy/tired tonight):

You may have heard of the Australian post-punk/new-wave scene. Perhaps you're familiar with Nick Cave's stint in the Boys Next Door; perhaps you saw the Models play their reunion gig recently, or rented a copy of Dogs In Space, the seminal film about the scene, from your local video library's cult/art-house section. Perhaps you even were at the Seaview Ballroom in the early 80s, in ripped jeans and hairspray, or know someone who was. Or perhaps you just heard it mentioned here and there, and were wondering about this scene that so many artists came from. Well, if you're interested in this period of history, Can't Stop It! is probably worth a look.

Compiled by Guy Blackman (who runs the very credible Melbourne indie label Chapter Music, hosts a show on 3RRR and plays in various bands) and David Nichols, Can't Stop It! does not purport to be an objective record or disinterested documentary on the so-called "little band" scene that flourished in Australian inner cities in the late 1970s and early 1980s, but rather a collection of the compilers' favourite music from the time and scene. The scene arose in the wake of punk, whose raw anarchy had burned away the deadwood, leaving fertile ground for genre-defying experimentation, whilst keeping the DIY ethos. For a while, the scene was a hotbed of innovation, where guitars mixed with electronics, noise with melody, rock'n'roll with conceptual art, and rules were broken.

This compilation has considerably more stylistic variety than the term "post-punk" would suggest. Some tracks do bear the stylistic stamp of punk (The Take's "Summer", with droning bass, guitar feedback and slightly Siouxsieish half-spoken vocal about ex-boyfriends and reasons to live, and The Slugfuckers' aptly-titled guitar-noise workout "Cacophony"); whereas other tracks eschew this sound, varying widely. Some of these tracks have aged surprisingly well, and don't sound 20 years old; "How Low Can You Go?" by Essendon Airport (which featured David Chesworth, now a respected contemporary composer) sounds like it could have come off a recent "Sadness Is In The Sky" cover CD, and "Lamp That" by Equal Local (whose lineup featured Robin Whittle, perhaps better known for his Devilfish TB-303 hack and/or his views on sexual discipline) sounds almost like one of those contemporary free-jazz/laptop-glitch acts; except, of course, that it was produced with the technology of 20 years ago.

The compilation starts off with "Gone Dead" by The Moodists (which was Dave Graney's outfit back in his punk days), opening, promisingly with a scream, segueing into Voigt 465's raucous, falsetto-sung "Voices A Drama", which sounds like a collision between punk and art-school experimentalism. Track 5, The Apartments' "Help", starts off sounding like The Cure's "Boys Don't Cry", only with more cryptic and "arty" lyrics.

Ash Wednesday's "Love By Numbers", goes into electronic territory; an analogue drum machine loop and synth sequencer pump out rigidly mechanical loops, underlaid with heavily processed guitar chords. Over this, Wednesday's vocal comes in, counting up from 1. Whether it's a statement on the human condition in a technologically-mediated world or just an exercise in electronic tinkering, who can tell; though it's pulled off with style and sounds pretty doovy, arguably earning Ash Wednesday a place in the pantheon of underground synthpop.

Further on, we get existential questions from The Fabulous Marquises, class-conscious social critique from The Limp (with "Pony Club") and, by no means least, a very sweet piece of low-key jangly-pop from The Particles, titled "Apricot's Dream". Not to mention tracks from Ron Rude (perhaps better known for his publicity stunts than his music; though his song "Piano Piano" is pretty nice) and the original live version of the Primitive Calculators' contribution to the Dogs In Space soundtrack, in all its lo-fi DIY glory.

The compilation ends in an arty vein, with the art-noise sounds of the People With Chairs Up Their Noses, the dadaistic cut-up poetry of The Fits' "Words", and ->^->'s sax-driven post-punk instrumental, "One Note Song".

The CD comes with a booklet, describing each of the 20 acts featured on it, their history and what the members are doing now, along with original photographs. Here many familiar names appear, including artists as diverse and varied as Lisa Gerrard, Ollie Olsen, Greg "Tex" Perkins and Kate Ceberano, not to mention various bands, from Minimum Chips to the Dirty Three, showing how profound the influence of this scene was on Australian (and international) underground music.

The compilers of this CD disclaim any pretence of objectivity in their selection of material; nonetheless, the breadth of styles and artists (many of whom went on to do other things), along with the comprehensive booklet, makes this an essential document for anybody interested in this particular chapter of Australian musical history.

(VA) Can't Stop It! Australian Post-Punk 1978-1982:

1	The Moodists	Gone Dead	3:34
2	Voigt 465	Voices A Drama	2:37
3	The Take	Summer	2:41
4	Essendon Airport	How Low Can You Go?	3:23
5	The Apartments	Help	3:40
6	Ash Wednesday	Love By Numbers	2:38
7	Primitive Calculators	Pumping Ugly Muscle	3:07
8	(Makers of) The Dead Travel Far	The Dumb Waiters	4:14
9	Ron Rude	Piano Piano	0:59
10	Xero	The Girls	3:08
11	The Limp	Pony Club	2:49
12	The Fabulous Marquises	Honeymoons	1:14
13	The Slugfuckers	Cacophony	2:54
14	Equal Local	Lamp That	4:53
15	Tame Omearas	Sweat And Babble	2:17
16	The Particles	Apricot's Dream	2:38
17	People With Chairs Up Their Noses	Song of the Sea	1:36
18	Wild West	We Can Do	2:33
19	The Pits	Words	1:52
20	>^>	One Note Song	3:34

Believe It

Well, la-dee-da!

I finally managed to download the ORIGINAL Something To Believe In compilation from BYO (see the previous post for my rant).

It seems there were only 3 people in cyberspace who had this rip and I couldn't get a single copy. Well, this morning I was finally successful.

BYO (Better Youth Organization) Records was started in Los Angeles by brothers Shawn and Mark Stern, in 1982. The Brothers Stern formed two-thirds of seminal California punk rock band Youth Brigade (bassist Adam Stern doesn't run the company).

Don't know much else, but this compilation is no longer (or ever was?) availbable on CD.

I'm posting it here.

Enjoy.

Something To Believe In (BYO):

1	The Nils	Scratches & Needles	2:49
2	Rigor Mortis	Silent Scream	2:06
3	Big Boys	History	2:33
4	Unwanted	Tanks Keep Rollin'	1:21
5	Tourists	Memories	2:57
6	Kraut	Pyramids	1:21
7	Youth Brigade	Care	3:29
8	Youth Youth Youth	Domination	1:36
9	SNFU	Womanizer	2:35
10	Peronality Crisis	Piss On You	3:03
11	Channel 3	Indian Summer	3:54
12	Young Lions	In A Field	2:22
13	Zeroption	Realpolitik	2:44
14	D.O.A.	Tits On The Beach	1:57
15	7 Seconds	Out of Touch	1:47
16	Stretch Marks	Foreign Policies	1:26

Don't Believe It

As mentioned in a previous post about the Nils, BYO (Better Youth Organization) Records put out a compilation called, Something To Believe In. After having done some research on the internet, I quickly discovered this comp is no longer available...and even then, only in vinyl format.

What a pleasant surprise, then it was, to find Something To Believe In on Compact Disc. And even then, for the ridiculously low price of only $5.00 through Interpunk.com.

So after waiting in anticipation for about 10 days, I eagerly ripped open the package when it arrived in the mail yesterday. I tore open the cellophane wrapping and placed the disc into my CD player.

A little too hasty on my part, I would soon learn.

I looked at the track list: "No Nils? What's going on," I asked myself. So I started playing the tracks.

Much to my aural disgust, the first track I heard was some sort of So-Cal Thrash/Skatepunk garbage. Okay, let me try the next one...

Then the next one...

Then the one after that.

My disgust was now turning to displeasure, as I soon discovered this was not the BYO Something To Believe In at all. It's not even a reasonable facsimile.

And not even put out by BYO Records, at that. This was an imposter. And not a very good one, either.

This one was put out by something called "kill.normal.records". Now, don't get all huffy if skatepunk is your thing. Personally, I don't particularly mind the original stuff from the late 80's (in limited doses). But this isn't even that.

Most of these tunes are hackneyed clichéd rehashes of genres that got old about ten years ago (think Rancid on a combination of crank and glue: thrashy skater punk/neo-ska, etc.) . And these songs were recorded no less than five years ago by (presumably) tatooed goons with nothing else better to do.

Now, I can spare the $5.00 (plus shipping and handling) that I wasted on this piece of crap. But before I give it away to my local library or something, I thought I'd pass it on to you.

Enjoy or don't. It's up to you. I don't particularly care.



Have a nice day.

Something To Believe In (Not BYO):

1	Folly	Blending Day With Night	3:00
2	Blind Luck Music	Years Of Silence	2:46
3	The Flaming Tsunamis	By Force	3:06
4	Infamous Jake & the Pinstripe Mafia	Third Fight	3:43
5	The Halo Jump	It's No Surprise	3:22
6	The Skeptics	Wait	3:56
7	For All It's Worth	Tidepool Requiem	3:08
8	Treephort	Soccer Mom	1:32
9	Sometimes She Burns	My Girl	2:55
10	Kicked In The Head	The Witness	3:30
11	Smackin Isaiah	Class Of '97	1:47
12	Drexel	Track 11	4:10
13	In Pieces	A Fitting Lie	5:22
14	The Arrogant Sons Of Bitches	So Lets Go Nowhere	2:30
15	Big D and the Kids Table	Those Kids Suck	1:18
16	The Superspecs	Listen Up	4:09
17	Jericho	Beauty Fades	3:27
18	Lock And Key	2nd Quarter Broken	2:41
19	As Dead As Dreams	Burnt Sienna	3:27
20	XIII PFP	Perpetuates Silence	3:19
21	Greg Wood	Unsafe	3:20
22	Slater	Can't Get Through	2:47

It's The First Day Of...

...The Fall.

As such:

I remember when I first became a fan of The Fall...

I had heard about them, in passing reference, when I was in high school in the 1980s. But I'd never actually heard their music. Based on their name alone, I assumed they were some sort of Gothic, Sisters of Mercy-type band and that their music would reflect that genre.

So, one day years later, I decided to experiment: I downloaded a few of their songs from the internet. That was all it took for me to get hooked.

There's so much that can be said about The Fall. Too much, in fact...so I won't bother. I'll just as soon refer you to their Wikipedia bio.

Needless to say, after 30-plus years, almost just as many albums and about 90 other live collections, compilations and other releases, there's just too much by this prolific band (of which, Mark E. Smith has been the only constant) to put on display here.

Instead, I've gathered together a collection of some of my favourite songs. If you've never heard The Fall before, you'll soon become of fan.

Click on Mark E. Smith's face to download the songs.

The Fall:

Blindness

Dresden Dolls (Demo)

Hit The North

I Am Damo Suzuki

Middle Class Revolt

Paranoia Man In Cheap Sh*t (sic) Room

Serum

Smile

Solicitor In Studio

Strychnine

Theme From Sparta FC

U.S. 80s-90s

Made In Canada: Our Rock 'N' Roll History

I've always been a homer for Canadian rock music. With the torrent of (mostly) American and British rock 'n' roll cluttering our radio airwaves, it was still difficult to hear Canadian rock on a regular basis. And that's despite the CRTC (Canada's version of the FCC, which regulates our airwaves) and its Canadian Content Rules, which stipulate 35% Can-Con. I used to listen to a ton of Classic Rock station Q107 back in the 80s. And it would always be a pleasant surprise to hear something from a Canadian artist or group.

How Pleasantly surprised I was, to learn of this series of collections, which came out in 1990. Originally, there were 3 volumes, all released concurrently. I bought all three on cassette. A year later, a fourth volume appeared (though I don't think I ever saw it). Sadly, a few years after that, they would be gone. Today, they're very rare to find (or so it seems). Amazon lists the Volume 2 CD for a ridiculous $89.99 (down from $99.99).

But being a lucky bastard, you get it for free. Same as the other volumes. It should be noted, however, that whoever compiled these albums made a mistake with one of them: The Five Canadians was actually a garage band from San Antonio, Texas who tried to get in on the British Invasion bandwagon by alleging a name from the Commonwealth. Besides, the Five Americans was already taken.

Some of these tunes can be pretty treacly, especially the songs from the singer-songwriter 70's (you just have to laugh out loud at The Bells' "Stay Awhile"). But there are enough gems here to keep a Canuck homer happy.

Enjoy.

Made In Canada Vol. 1 (The Early Years)

1	The Beau Marks	Clap Your Hands	2:01			1960
2	Bobby Curtola	Fortune Teller	2:45			1962
3	Pat Hervey	Tears of Misery	2:06			1963
4	Jackie Shane	Any Other Way	2:34			1963
5	Ritchie Knight & The Mid-Knights	Charlena	2:29			1963
6	Shirley Matthews	Big Town Boy	2:34			1963
7	Terry Black	Unless You Care	2:03			1964
8	Robbie Lane & The Disciples	Fannie Mae	2:37			1964
9	Chad Allan & The Expressions	Shakin' All Over	2:40			1965
10	Little Caesar & The Consols	My Girl Sloopy	2:54			1965
11	Barry Allan	Lovedrops	2:24			1966
12	The Staccatos	Half Past Midnight	2:12			1967
13	The Guess Who	Flying On The Ground Is Wrong	2:39			1967
14	The Poppy Family	Which Way You Goin' Billy	3:24			1969
15	Motherlode	And When I Die	3:23			1969
16	Mashmakhan	As The Years Go By	3:05			1970
17	King Biscuit Boy w/ Crowbar	Corinna, Corinna	4:29			1970
18	Steel River	Ten Pound Note	2:58			1970

Made In Canada Vol. 2 (Into The 70s)

1	The Original Caste	One Tin Soldier	3:35			1969
2	Edward Bear	You, Me & Mexico	2:50			1970
3	R. Dean Taylor	Indiana Wants Me	3:45			1970
4	Tranquility Base	If You're Lookin'	2:38			1970
5	Joey Gregorash	Jodie	2:51			1971
6	Lighthouse	One Fine Morning	5:16			1971
7	Crowbar	Oh What A Feeling	4:39			1971
8	The Bells	Stay Awhile	3:22			1971
9	The Stampeders	Sweet City Woman	3:22			1971
10	April Wine	You Could Have Been A Lady	3:19			1972
11	A Foot In Cold Water	(Make Me Do) Anything You Want	5:09			1972
12	Dr. Music	Sun Goes By	3:51			1972
13	Keith Hampshire	The First Cut Is The Deepest	3:44			1973
14	Copperpenny	Sitting On A Poor Man's Throne	5:11			1973
15	Gary & Dave	Could You Ever Love Me Again	3:23			1973
16	Ian Thomas	Painted Ladies	3:30			1973
17	Andy Kim	Rock Me Gently	3:26			1974
18	Bill Amesbury	Virginia (Touch Me Like You Do)	2:45			1974

Made In Canada Vol. 3 (Eclectic Avenue)

1	The Paupers	If I Told My Baby	2:11			1965
2	David Clayton Thomas w/ The Bossmen	Brainwashed	3:34			1966
3	King Beezz	Gloria	2:48			1966
4	The Five Canadians	Writing On The Wall	2:15			1966
5	The Guess Who	It's My Pride	2:41			1966
6	The Stitch In Tyme	Got to Get You Into My Life	2:22			1967
7	The British Modbeats	Somebody Help Me	1:55			1967
8	Grant Smith & The Power	Keep On Running	2:57			1967
9	A Passing Fancy	I'm Losing Tonight	2:47			1967
10	The Lords of London	Cornflakes and Ice Cream	2:46			1967
11	The Ugly Ducklings	Gaslight	2:49			1967
12	Bobby Taylor & The Vancouvers	Does Your Mama Know About Me	2:51			1968
13	Nucleus	Communication	4:40			1969
14	Luke & The Apostles	You Make Me High	5:13			1970
15	Cat	We're All In This Together	4:49			1970
16	Five Man Electrical Band	Signs	4:03			1971
17	Thundermug	Africa	3:18			1972
18	Klaatu	California Jam	3:02			1974

Made In Canada Vol. 4 (More Great Stuff)

1	The Beau-Marks	Classmate	2:05			1961
2	Little Caesar & The Consols	If (I Found A New Girl)	2:01			1963
3	David Clayton Thomas (& The Shays)	Boom Boom	2:24			1964
4	The Big Town Boys	It Was I	2:21			1965
5	Ugly Ducklings	Nothin'	2:28			1966
6	The Paupers	If I Call You By Some Name	2:52			1966
7	Mandala	Opportunity	2:59			1967
8	Kensington Market	I Would Be The One	2:35			1968
9	Ocean	Put Your Hand In The Hand	2:55			1971
10	Chilliwack	Lonesome Mary	3:00			1971
11	Syrinx	Tillicum (Theme For The TV Show Here Come The Seventies)	1:51			1971
12	Terry Black & Laurel Ward	Goin' Down (On The Road To L.A.)	2:59			1972
13	Ken Tobias	I Just Want To Make Music	2:32			1973
14	Fludd	Cousin Mary	2:43			1974
15	Terry Jacks	Seasons In The Sun	3:27			1974

The Nils & The Sad, Sad Story Of Alex Soria

AT THE REQUEST OF CARLOS SORIA AND NILS MANAGER NIKO STASH, I'M REMOVING THE LINKS FROM THIS POST.  PLEASE VISIT THEM AT http://vampirefreaks.com/The_Nils. 

Alex Soria was just twelve years old, when he started The Nils in Montreal with his older brother Carlos, in 1978. In 1983 one of their songs appears on the BYO compilation, Something To Believe In. In 1984, two more songs appear on the Primitive Air Raid: Montreal comp.

By 1985, they record their first EP, Sell Out Young. Paisley comes out the following year. In 1987, they release their debut LP.



By the end of the decade, The Nils will have been at the forefront of a revolution in pop-punk that included contemporaries like The Replacements and Hüsker Dü, whose leader Bob Mould would become a charter member of their fan club.



















Often cited as "Canada's Paul Westerberg", Alex Soria was a gifted songwriter. But his talents never got the proper exposure because they were signed to Rock Hotel, a division of Profile Records (of Run-DMC fame). Profile was reportedly making loads of money; Rock Hotel was designed to lose it. RH head Chris Williamson bought The Nils equipment and told them they'd be opening for various bands. Nothing materialized. Williamson is later described as a "dickhead" by people who were involved in the project.

Carlos Soria later reminisces that people told them not to sign with Rock Hotel. But they'd already been playing for ten years and this was the only offer they got.

Still, once the record comes out, there is a buzz about the band. They tour the U.S. East and West Coasts, earning influential fans along the way (including the aforementioned Hüsker Dü, Paul Westerberg and Soul Asylum in Minneapolis). Things are looking up. But not for long.

The Nils return home. During one concert, Chris Williamson shows up. Rock Hotel had checked out: the company went out of business. Williamson is there to reclaim them equipment he bought for them. This is the beginning of the downward spiral of Alex Soria.

Carlos would accept an offer to play with MIA in California, leaving the younger Soria in Montreal. Alex eventually strikes a relationship with an older woman named Karen, who was once the girlfriend of Dave Rosenberg of The Chromosomes. Karen and Rosenberg were both junkies: it would only be a matter of time before Alex joins that dubious crowd.

Karen mothers him for ten years. But when she splits, Alex Soria becomes more aimless: He sinks deeper into his heroin habit.

Upon Carlos' return, the elder brother would also strike up a heroin habit, purportedly to be closer to Alex. The sense of guilt Alex feels for this, is reported to be great: he spirals even further.

The brothers do try to make a Nils comeback: they form another lineup with Alex McSweeney on drums. But by 1995, there's nothing left. Carlos becomes a mess. Eventually Alex moves in with his friend Eric Kearns. Kearns urges Alex to form another band.

By late 1996, Alex breaks up with Karen. He eventually cleans himself up, and forms Chino, without his brother. The band spends $2,500 to record the Mala Leche EP. Carlos, too, kicks his babit. As awkward as it was for both of them, Carlos roadies for his brother and Chino.

Alex has many great songs in his head...but all he hears are shitty bands on the radio. But he never speaks of his frustration. However big brother Carlos speaks up for him, telling anyone who would listen that Alex should be on the airwaves with the best of them. By 1998, Alex is straight and has Chino going: he's happy and energetic.

But things don't always go as planned. Chino can't get off the ground. The band goes nowhere, thanks to the same old story: no tour and poor distribution. More frustration and heartbreak for Alex.

Fast-forward to 2004. Carlos and Alex have spent the last few years reportedly packing kosher products. Life is difficult for Alex: he has just come out of detox, but is feeling pressure that his family knows about his drug addiction. Then one day, he and Carlos go to work, only to find out that the company has shut down. They lose their jobs, and they lose their pay.

On December 13th, Alex and his girlfriend Debbie get into a terrible fight. One of his neighbours calls 911. These would be the last two hours of his life.

Alex leaves for some time alone. He reportedly enters a nearby restaurant and goes into the restroom, "doing what, I'm not sure," according to one-time roadie, Bill Moser.

When he returns to the apartment, he sees police at his door. He freaks out. Alex heads towards the train tracks.

It's not known if he was high at the time, but it's clear that Alex Soria was not of sound mind when he goes to the tracks.

Apparently, he gives the conductor of an oncoming train a salute. He then throws himself into the path of that train. Alex Soria was only 39 years old.

A couple of years later, Woody Whelan of Mag Wheel records and a friend of the band, compiled practically all the recordings The Nils put out, including EP tracks, demos and live recordings of a Boston tour. Please take a listen to Green Fields In Daylight and give Alex Soria the appreciation which he never received during his sad, tragic life.


As a bonus, I'm also including their 10-song LP, released in 1987. It has many of the same songs as the ones listed above, but with different mixes plus one song which didn't appear on GFID.



The Nils -- Green Fields In Daylight:

1	The Nils	Call Of The Wild	2:17
2	The Nils	Slip Away	2:07
3	The Nils	Scratches And Needles	2:45
4	The Nils	In Betweens	2:42
5	The Nils	Fountains	1:44
6	The Nils	Daylight	2:26
7	The Nils	Freedom	2:31
8	The Nils	I Am The Wolf	3:21
9	The Nils	Tuesday High	2:12
10	The Nils	Up Turns To Down	1:51
11	The Nils	Glory Daze	2:44
12	The Nils	Freedom Come, Freedom Go (Live)	3:02
13	The Nils	Truce	2:04
14	The Nils	Bandito Callin	4:34
15	The Nils	Sweet Dreams	4:48
16	The Nils	Wicked Politician	4:51
17	The Nils	Mary-Anne With The Shaky Hands	1:52
18	The Nils	Young Man In Transit	3:09
19	The Nils	River Of Sadness	3:52
20	The Nils	If Heaven Lies	3:41
21	The Nils	Red Balloon	2:47
22	The Nils	When Love Puts On A Sad Face	3:53
23	The Nils	Pop Goes The World	1:24
24	The Nils	In An Instant	1:37
25	The Nils	The Back Flow	2:14
26	The Nils	Scratches And Needles	2:49
27	The Nils	The Gathering	1:50
28	The Nils	Give Me Time	1:56
29	The Nils	Radio Interview	1:04

The Nils -- The Nils:

1	The Nils	River of Sadness	3:57
2	The Nils	Truce	1:45
3	The Nils	If Heaven Lies	3:37
4	The Nils	When the Love Puts on a Sad Face	3:50
5	The Nils	Wicked Politician	4:40
6	The Nils	Bandito Callin'	5:01
7	The Nils	In Betweens	3:36
8	The Nils	But for Now	3:10
9	The Nils	Young Man in Transit	3:12
10	The Nils	Daylight	2:34